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length:
two days (including final student concert) plus a concert of ensemble
Intégrales on the pre-night
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aiming
at: students of the faculties strings, woodwinds, piano, composition
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schedule:
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pre-night:
Concert ensemble Intégrales
1st
day/ morning:
Overview Over Extended/New Instrumental Techniques and their
notation in instrumental specific groups. Practical training at
the instrument! Examples of literature.
-
violin/viola (left and right hand techniques like col legno battuto
with the screw of the bow- producing determined pitches, "balalaika"-
pizzicato in guitar hold, arco on the fingerboard between left
hand and nut, harmonics, double stop glissandi, quarter notes,
whistling, singing and “tap dancing” while playing the
violin, scordatura)
-
piano (inside-piano like a.o. playing on the strings and the corpus,
overtones)
- saxophone
(subtones, slaps, multiphonics, noise sounds, playing in combination
with singing
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1st
day/ afternoon:
Improvisation Workshop including the incorporation of the
extended instrumental techniques
- general
guide to improvisation
-
practical training:
- realization of a graphical score (by Earle Brown, Anestis Logothetis)
- improvisation to a tape (by Mayako Kubo "Bach Variationen")
- free improvisation
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2nd
day/ morning and early afternoon:
Chamber Music Workshop: possibly division of the whole group
into smaller ensembles
- "Living
Room Music" (John Cage)
-
time-bracket pieces (John Cage)
- individual
or chamber music lessons on pieces which were prepared in advance
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2nd
day/ late afternoon and early evening:
Preparation of the Final Concert:
- arrangement
of the stage
- organization
of the stage appearance and management under aspects of the stage,
acoustic and visual circumstances
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2nd
day/ night:
Final Concert of the Students:
-
Improvisation
-
John Cage time bracket pieces
-
John Cage "living room music"
- possibly
pieces from the individual or chamber music lessons
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